History of creation

  The work was written for the international competition announced by Art Olympic Japan 2019. The idea was to create a canvas from images (photographs, paintings, drawings, graphics, etc.). All that you can find on the Internet. We have unlimited access to millions of images, they become a fundamental tool for creating original art content ... Combining and involving these images in a single script can turn them into actors who play certain roles in film or theater scenes.

   External description

  The picture itself can be classified as a movie poster, only if the film itself does not exist, but it can appear in the minds of any viewer if he gives free rein to the imagination. (I mention that the picture itself can be interpreted not only in the direction in which I will try to do this). In painting, I mean the two great artists Salvador Dali and Gustar Klimt, or rather, the second work.
"Inspiration of St. Anthony" and "Kiss."

   Examples of interpretation of different scenarios

  A sky riddled with constructive lines might suggest that its creation is incomplete, citing the continuous expansion of the universe.
- A stone bound by a person can symbolize the planet Earth, which is crushed by the pressure of a person on it.
- Fragile legs can be a reference to Dali's elephants.
- Red irritated lips can be a reference to Klimt's work “Kiss”,
- The eye that looks at you may be God, or it may be me,
- The dart arrow may be the embodiment of evil (Biblical snake tempter)

   Destination

  This canvas was painted in parallel with my main activity and represents iconography, an area that has helped my training as an artist. The religious theme is not alien to me. but, like any artist, my mind remains open to any interpretation of the creation of the world (the universe).

Simone Vale said: “We are attracted to unreal things, but the power that binds us to them is just as real as she is.”

   The influence of colors and design

  The technique is inspired by the Renaissance, from which they take the accuracy of the picture and color, but not the measure of formal balance. Elements of the picture are mixed in an irrational combination of relationships and dispersal of reality.